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Flamenco: Conflicting Histories of the Dance
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About Flamenco: Conflicting Histories Of The Dance
Product Description This analytical history traces representations of flamenco dance in Spain and abroad from the twentieth century to the present, using histories, film, accounts of live performances, and practitioner interviews. Beginning with an analysis of flamenco historiography, the text examines images of the female dancer in films by Luis Bunuel, Carlos Saura, and Antonio Gades; stereotypes of flamenco bodies and Andalusian culture in Prosper Merimee's Carmen; and the ways in which contemporary flamenco dancers like Belen Maya and Rocio Molina negotiate the stereotype of Carmen and an idealized Spanish feminine that pervades "traditional" flamenco. Instructors considering this book for use in a course may . Review “an informative contribution to the growing field of flamencology. The author offers a unique approach to the field of study”― Journal of Folklore Research; “meticulous...a great book...the quality of the research and investigation of the subject is awesome”― Books4Spain. From the Inside Flap This analytical history traces representations of flamenco dance in Spain and abroad from the twentieth century to the present, using histories, film, accounts of live performances, and practitioner interviews. Beginning with an analysis of flamenco historiography, the text examines images of the female dancer in films by Luis Bunuel, Carlos Saura, and Antonio Gades; stereotypes of flamenco bodies and Andalusian culture in Prosper Merimee's Carmen; and the ways in which contemporary flamenco dancers like Belen Maya and Rocio Molina negotiate the stereotype of Carmen and an idealized Spanish feminine that pervades "traditional" flamenco. About the Author Michelle Heffner Hayes, dancer, choreographer and dance scholar is currently a professor and chair of the Department of Dance at the University of Kansas in Lawrence.
