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About Bright Stain
Product Description Unapologetically sensual and forthright, Bell explores desire, loss, faith, doubt, tenderness, and violence; and sex as experience, metaphor, and magnifying lens for relationships. Bright Stain may or may not become the Sex and the City of poetry, but this knock-your-socks-off debut will likely inspire debate—perhaps controversy―as it inhabits some startling points of view, including those of pedophile priests, serial killers, and prison inmates. Those who miss reading these breathtaking, visceral poems won’t know what their friends are raving about. *FINALIST in Poetry for the Washington State Book Awards* Review . Translation in Beware: Bright Stain is an addictive read, almost impossible to put down once started. From Bell, a gritty poetry debut that examines the power and perils of womanhood, sex, and religion. Bell finds beauty and horror in the tiny moments of life and turns them into art. “Besos” sensually recalls a first kiss with a boy who is later brutally beaten. The speaker unpacks the mortifying experience of developing breasts at age 14 but soon discovers how they make young men quake in “In Plain Sight.” In “Narrow Openings,” the speaker admits she doesn’t like her lover and longs to argue with him; instead, she goes for a walk, delighting in the idea of him “pacing / the closed rooms, stupid and lovely.” The author doesn’t shy away from tough or taboo subjects; “With a Little Education” examines the life of a gigolo, and “The Curator” is a visceral recounting of serial killer Jeffrey Dahmer’s monstrosities. The work is entirely unsentimental, from a remembrance of an unimpressive paramour to a poem in which the poet plays with excuses used by football players accused of sexual assault. Several unflinching looks at the body include a birth poem so gruesome it reads precariously close to murder, and “Guilt Tastes Like Summer” finds a 4-year-old wondering if sunburn is her penance for sexual desire. Womanhood and religion are interwoven here. Unclasping a bra is “a relief like prayer,” while menstruation is “the reminder / of the gash God made in me.” The imagery is incisive and unique: Boys’ voices “creaked like screen doors”; spent lovers are “rubble, still and separate”; and a tongue “leapt / like an animal from its cave.” This collection is not for the faint of heart, however; rape, abortion, and child sexual abuse by men of the cloth are all par for the course. And in “In Persona Christi,” she compares fellatio to the Eucharist.A penetrating collection of ruthless, unapologetic poetry—Kirkus Reviews How deeply gratifying to see Francesca Bell’s electric, erotic and completely ravishing debut collection, Bright Stain, at last in the world. For the past ten years she has been writing some of the most charged, subtle and yet devastating poems in American poetry. Many of these dramatic vignettes are laced with a rare sexual candor and a whip-smart emotional intelligence. Bright Stain is one of the most darkly elegant and luminous books of recent years; it is, in all ways, truly a wonder.—David St. John Unflinching, tender, and sensual, the poems in Francesca Bell's, Bright Stain reach straight for the aorta and never let go. The poet asks nothing less than to face oneself honestly, yet with compassion. Francesca Bell’s poems are fierce and tender, passionate, compassionate, disturbing and delightful. Wide-ranging, finely-honed, smart and surprising, Bright Stain is a compelling debut collection! —Ellen Bass Francesca Bell's first book of poetry...reflects a dark universe in which sexual pleasure and pain are intricately linked....This debut collection is impressive for its distinctive voice and pungent imagery. -- Scott Neuffer About the Author Francesca Bell’s poems and translations appear in many journals, including B O D Y, Massachusetts Review, New Ohio Review, North American Review, Poetry Northwest, Prairie Schooner, and Rattle. She is the former poetry editor of River
